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5 Bibliography

Primary sources:

Play: Shaffer, Peter. Amadeus. London: Penguin, 1993.

Screenplay: --------. Amadeus. Screenplay. Final Draft, December 1982.

Film: Amadeus. Videocassette. Dir. Milos Forman. Prod. Saul Zaentz. Orion Pictures, 1984. 158 min.

Secondary sources:

Adair, Gilbert. "What's Opera, Doc?" Sight and Sound 1985: 142-43.

"Amadeus (1984)" [WWW document]. The Internet Movie Database.
URL: http://uk.imdb.com/M/title-exact?Amadeus+(1984)

Bidney, Martin. "Thinking about God and Mozart: The Salieris of Puškin and Peter Shaffer." Slavic and East European Journal 30.2 (1986): 183-195.

Brown, A. Peter. "Amadeus and Mozart: Setting the Record Straight." [WWW document]. The American Scholar Vol. 61, No. 1, Winter 1992. URL: http://www.frontiernet.net/~sboerner/mozart/essays/brown.html

Buchloh, Paul G. "Literatur in filmischer Darstellung: Methodische Möglichkeiten zur philologischen Erschließung verfilmter Literatur." Literatur in Wissenschaft und Untericht 13 (1980): 47-73.

Conversi, Leonard W. "The Art of Literature. Theory of Tragedy." The New Encyclopaedia Britannica: Macropaedia. Vol. 23. Chicago: Encyclopaedia Britannica, 1986. 181.

Dagle, Joan. "Narrative Discourse in Film and Fiction: The Question of the Present Tense." Narrative strategies. Original Essays in Film and Prose Fiction. Ed. Syndy M. Conger and Janice R. Welsch. Illinois: Western Illinois University, 1980.

Deemer, Charles. "Fine-Tuning Villainy. Salieri's Journey from Stage to Screen." [WWW document] Creative Screenwriting Winter 1997. URL: http://www.teleport.com/~cdeemer/amadeus.html

Denby, David. "Stranger in a Strange Land: A Moviegoer at the Theater." The Atlantic Monthly 255 (January 1985): 37-50.

Esslin, Martin. Review of Amadeus. Plays and Players 27 (November 1979): 20.

Faulstich, Werner. Einführung in die Filmanalyse. Literatur im Grundstudium 1. 3rd rev. ed. Tübingen: Narr, 1980.

Faulstich, Werner. Die Filminterpretation. Göttingen: Vandenhoeck & Ruprecht, 1988.

Geduld, Harry M. and Ronald Gottesman. An Illustrated Glossary of Film Terms. New York: Holt, Rinehart and Winston, Inc., 1973.

Gelatt, Roland. "Peter Shaffer's Amadeus: A Controversial Hit." Saturday Review, November 1980: 11-14.

Gianakaris, C. J. "A Playwright Looks at Mozart: Peter Shaffer's Amadeus." Comparative Drama 15, No. 1 (1982): 37-53.

Gianakaris, C. J. "Shaffer's Revisions in Amadeus." Theatre Journal 35, No.1 (1983): 88-101.

Gianakaris, C. J. "Drama into Film: The Shaffer Situation." Modern Drama 28, No. 1 (1985): 83-98.

Gianakaris, C. J. Peter Shaffer. London: Macmillan, 1992.

Goetsch, Paul. "Thesen zum Vergleich von literarischen Werken und ihren Verfilmungen." Film und Literatur in Amerika. Ed. Alfred Weber and Bettina Fried. Darmstadt: Wissenschaftliche Buchgesellschaft, 1988. 45-64.

Gosney, Cynthia. "Chewing A Cream Puff, and Other Sounds." Washington Post, 3 July 1984: D2.

Hauser, Arnold. "Space and Time in the Film." Film: A Montage of Theories. Ed. Richard Dryer MacCann. New York, 1966. 187-198.

Huber, Werner, and Hubert Zapf. "On the Structure of Peter Shaffer's Amadeus." Modern Drama 27, No. 3 (1984): 299-313.

Jinks, William. The Celluloid Literature. Film in the Humanities. 2. edition. Beverly Hills: Glencoe Press, 1974.

Kakutani, Michiko. "How Amadeus Was Translated From Play to Film." The New York Times, 16 September 1984, sec. 2: 1, 20.

Kamm, Henry. "Milos Forman Takes His Cameras and Amadeus to Prague." The New York Times, 29 May 1983, sec. 2: 1, 15.

Kauffmann, Stanley. "Notes on Theater-and-Film." Hurt, James (ed.). Focus on Film and Theatre. Englewood Cliffs, N. J, 1974. 67-77.

Klein, Dennis A. "Amadeus: The Third Part of Peter Shaffer's Dramatic Trilogy." Modern Language Studies 13, No. 1 (1983): 31-38.

Larson, Janet Karsten. "Amadeus: Shaffer's Hollow Men." The Christian Century, 20 May 1981, 578-583.

Leech, Clifford. "Dialogue for Stage and Screen." The Penguin Film Review 6 (1958): 97-103.

Lounsberry, Barbara. "Peter Shaffer's Amadeus and Shrivings: God-Hunting Continued." Theatre Annual 39 (1984): 15-33.

Mauerhofer, Hugo. "Psychology of Film Experience." Film: A Montage of Theories. Ed. Richard Dryer MacCann. New York, 1966. 229-235.

McFarlane, Brian. Novel to Film. An Introduction to the Theory of Adaptation. Oxford: Clarendon Press, 1996.

Nietzsche, Friedrich. "Die Geburt der Tragödie aus dem Geiste der Musik." Die Geburt der Tragödie. Der griechische Staat. Stuttgart: Alfred Kröner Verlag, 1964. 43-191.

Peters, Jan Marie. "Sprechakttheorethische Ansätze zum Vergleich Roman-Film." Joachim Paech (Hg.). Methodenprobleme der Analyse verfilmter Literatur. 2nd rev. ed. Münster: Nodus Publikationen, 1988. 45-61.

Plunka, Gene. A. Peter Shaffer: Roles, Rites, and Rituals in the Theatre. Rutherford, NJ: Farleigh Dickinson University Press, 1988.

Puschkin, Alexander. Mozart und Salieri. Russisch/Deutsch. Tr. Kay Borovsky. Stuttgart: Reclam, 1985.

Rich, Frank. "The Theater: Amadeus by Peter Shaffer." The New York Times, 18 December 1980: C17.

Robbins, Gregory Allen. "Mozart & Salieri, Cain & Able. A Cinematic Transformation of Genesis 4" [WWW document]. The Journal of Religion and Film [online edition] Vol. 1, No. 1, Spring 1997.
URL: http://www.unomaha.edu/~wwwjrf/robbins.htm

Schmidt, Johann N. "Bildersprache: Über die Problematik von Literaturverfilmungen." Film und Literatur in Amerika. Ed. Alfred Weber, and Bettina Fried. Darmstadt: Wissenschaftliche Buchgesellschaft, 1988. 21-44.

Schonberg, Harold C. "Mozart's World: From London to Broadway." The New York Times, 14 December 1980, sec. 2: 1, 35.

Schonberg, Harold C. "The Villain of Amadeus in Real Life." The New York Times, 1 February 1981, sec. 2: 1, 17.

Scott, Matthew. "Amadeus: A Glimpse of the Absolute Theatre." Plays and Players (February 1980): 40-41.

Seaton, George. "A Comparison of the Playwright and the Screen Writer." Quarterly of Film, Radio, and Television 10 (Spring 1956): 217-226.

Shaffer, Peter. "Paying Homage to Mozart." The New York Times Magazine, 2 September 1984: 22-23, 27, 35, 38.

Shaffer, Peter. "Postscript: The Play and the Film." In his Amadeus. London: Penguin, 1993.

Slater, Thomas J. Milos Forman: A Bio-Bibliography. New York: Greenwood Press, 1987.

Smith, Warren Sylvester. "Peter Shaffer." Concise Dictionary of British Biography. Vol. 8: Contemporary Writers. 1960 to the Present. Detroit: Gale Research, 1992. 337-356.

Stern, Carol Simpson. "Shaffer, Peter (Levin)." Contemporary British Dramatists. Ed. K. A. Berney. London: St. James Press, 1994. 636-641.

Stormgren, Richard L. and Martin F. Norden. "Film and Theater." In their Movies: A Language in Light. Englewood Cliffs: Prentice Hall, 1984. 183-199.

Stumpf, Carmen. "Peter Shaffer's Amadeus: Eine Analyse der Dramentechnik." Diploma thesis. Germersheim, 1990. [typescript]

Terrien, Samuel. "Amadeus Revisited." Theology Today 42 (1986): 435-43.

Thomsen, Christian W., and Gabriele Brandstetter. "Mozart und Salieri. Das Schauspiel als Oper. Überlegungen zu Peter Shaffers Amadeus." Anglistik und Englischunterricht 16 (March 1982): 191-210.

Thrall, William Flint and Addison Hibbard. A Handbook to Literature. Rev. and enl. by C. Hugh Holman. New York: The Oddyssey Press, 1960.

Walsh, Michael. "Amadeus, Shamadeus." Film Comment, Vol. 20, No. 5 (September/October 1984): 51-52.

Weber, Alfred. "Formen und Funktionen des Filmtranskripts." Film und Literatur in Amerika. Ed. Alfred Weber and Bettina Fried. Darmstadt: Wissenschaftliche Buchgesellschaft, 1988. 243-253.


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